Selmer Reference 54 Alto Sax. This particular instrument is Horns in my Life: 1970s Selmer Mark VII Alto9. Finished in matte antique lacquer. This instrument is an amalgamation of vintage sound and aesthetics, coupled with more modern reliability, in a newly refined design. The Selmer Reference 54 is inspired by arguably the most famous saxophone of all time, the legendary Mark VI.
1.3 Selmer Reference 54 vs Selmer SE-A3M Series III Matt. 1.2 Selmer Reference 54 vs Selmer SE-A3L Series III. 1.1 Selmer Reference 54 vs Selmer SE-A3B Series III. Available immediately.1 Review y Opinin del Selmer Reference 54 y Dnde Comprarlo. The shipping costs are calculated on the checkout page.
Warranty is for Europe only. This is a mint, unused 2021 model Selmer Reference 54 tenor saxophone, the complete retail kit. The retail price is 4186.23 &163. Or who list the horns they own as a kind of “credential” to validate their playing, as though spending the value of a good used car on a horn automatically makes you a better player.The Selmer Reference 54 Alto Saxophone is a Reference Alto Saxophone with a Dark gold lacquer with Reference engraving, High F key, Centred sound, rich in overtones, in the style of the Mark VI from 1954 & Selmer Soloist C. Most of the other horns I’ve listed are student model or intermediate horns, and there are certain folks who judge your value as a sax player based entirely on the brand of horn you brought to your most recent gig. 1.5 Dnde Comprar el Selmer Reference 54.I’m not going to say much about this one, except that one belonged to me at one time.
Selmer Paris Reference 54 Alto Saxophones.Did I sound better on this horn the few times I played it? Of course. Selmer Selmer TS44 Professional Model Tenor Saxophone - Step Up Sax - With Paris Neck. Before ordering, please call for delivery time frame, currently ranging between 2 to 3 weeks. NOTE: Not stocked due to uneven sales since 2020.
Selmer Reference 54 Alto Review Plus They Introduced
Eventually Selmer had to follow suit on their student horns, which is why the Bundy II looks a lot more like the Mark VI than the original Bundy (based on Buescher True-Tone designs) ever did.Nowadays, Yanagisawa makes Selmer copies that are arguably as good as the originals. “).In fact, there are many individual Mark VIIs, and Series I, II, and III that sound better than individual Mark VIs (even some of the coveted “5-digit” horns).Note about Mark VI Imitaters: When Japanese companies like Yamaha started making saxophones in 1967, they copied all the Mark VII ergonomic features that they could without increasing their costs, plus they introduced some improvements of their own. The Reference 54 reincorporates some of the Mark VI characteristics that people whined about losing when the Mark VII came out, and hopefully will steal back some of Selmer’s market share from companies that have been making better copies of the Mark VI than Selmer has.Let me just say this: Every Selmer Paris saxophone made since the Balanced Action was the best model of saxophone you could buy anywhere from anybody that year (at least until Yanagisawa really got up to speed in the last several years, then you could say “was arguably the best model. Neither were its successors, the 80 Series I, II, and III. Folks with small hands or used to Mark VI placement complained that it was harder to reach certain keys.Frankly, compared to any other saxophone ever made, the Mark VII was still a very well-designed, playable horn, with all of the musical qualities and possibilities as the Mark VI.
About this web page or its content, please contact us.A Note from Paul: Whatever else you get out of our pages, I hope you enjoy your music and figure out how to make enjoyable music for those around you as well. All rights reserved.For questions, comments, suggestions, trouble reports, etc. Unless a no-brainer came across my path, I’d probably try out a Selmer 80 Series III, a Selmer Reference 54, a comparable Yanagisawa or two, and decide among them.On the other hand, if any of the horns mentioned in this article comes across my path for a price that I can justify paying, I won’t lay awake nights worrying about which horn has the best G# location or whatever.Here are write-ups on other horns I’ve loved.The list is in the sequence in which I owned the following horns, not in the sequence they were built, which is way different.Other Articles you may find helpful include:All material, illustrations, and content of this web site are copyrighted © 2011-2014 by Paul D. As much as I respect the Mark VIs (and the BAs, SBAs, and Mark VIIs) for what they were, and what some of them still ar, if I needed a state-of-the-art horn right now and money was no object, I probably wouldn’t spend too much time sorting through overpriced half-century-old relics with questionable history and condition.
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